By Laurent Dissard
The southeastern provinces of Turkey will soon be home to a series of new, state-of-the-art, archaeology museums. Such buildings are being (or have already been) planned, constructed, remodeled, or expanded. The Gaziantep Museum, for instance, houses many of the Roman mosaics of Zeugma unearthed before the construction of the Birecik Dam. Other mosaics, discovered during the expansion of Şanlıurfa’s sewage system, will be displayed in an Arkeopark near the city center.
Diyarbakır, a third city in southeastern Turkey, is not lagging behind. Work is underway to transform its citadel (içkale) into an archaeology museum. Recent finds at sites threatened by the Ilısu Dam will make up a large part of its collection. Hence, the displaced antiquities will slowly find their ways to a new home. A win-win situation for Turkey, it would seem. As the country develops its infrastructure, investing in dams, roads, and sewage systems, it is simultaneously seen as protecting its past. A paradox, nevertheless, since it is these attempts to modernize that are threatening the country’s cultural heritage in the first place.