The Talpiot Tomb and the Beatles

By: Mark Goodacre, Dept of Religion, Duke University

The current discussion of Talpiot Tomb B, the “patio tomb”, has largely centered on the interpretation of the picture on one of the ossuaries.  But Tabor’s and Jacobovici’s argument that this tomb is linked with Jesus and his disciples is related to their earlier claims about Talpiot Tomb A, the “garden tomb”.  The case that this is the Jesus family tomb was made in 2007 in a book, a film and a website.[i]  It was largely based on a claim about statistics — this cluster of names, bearing so close a relationship to the names of members of Jesus’ family, was most unlikely to have occurred by accident. Continue reading

A Reply from Prof. Tabor—A Jonah Fish Image or a Tower Tomb Monument?

James D. Tabor, University of North Carolina at Charlotte

 I want to thank ASOR’s executive director Andy Vaughn, guest editors Eric Meyers and Christopher Rollston, and participating colleagues, for devoting time and space to a special consideration of the ideas expressed in the non-specialist book, The Jesus Discovery as well as the more technical paper I have published at the web site The Bible and Interpretation, “A Preliminary Report of an Exploration of a Sealed 1st Century Tomb in East Talpiot, Jerusalem” during the month of March. Whether damned or praised—and so far there has been much more of the former than the latter—it is an honor to have ones ideas considered by colleagues. Continue reading

Jodi Magness responds to the “New Jesus Discovery”

Professor Jodi Magness
Department of Religious Studies, University of North Carolina at Chapel Hill

As usual, the arrival of the Easter season this year is heralded by a sensational archaeological claim relating to Jesus. In March 2007, we learned from a TV documentary and accompanying book that the tomb of Jesus and his family had been discovered in Jerusalem’s Talpiyot neighborhood. The producer was undeterred by the fact that not a single archaeologist – including the tomb’s excavator – supported this claim (for my comments see http://www.archaeological.org/news/279; also see Eric Meyers’ response to the current claim). Now the same producer has identified remains of early Christian followers of Jesus in a tomb nearby. What is the basis for this new claim? Photos taken by a robotic arm that was inserted into the tomb supposedly show a graffito depicting a whale incised on an ossuary, and an inscription containing the Tetragrammaton and the word “arise” or “resurrection.”

Continue reading

Reflections of an Epigrapher on Talpiyot Tombs A and B: A Detailed Response to the Claims of Professor James Tabor and Filmmaker Simcha Jacobovici

Professor Christopher A. Rollston (crollston@ecs.edu) Professor of Semitic Studies, Emmanuel Christian Seminary

I. THE CLAIMS OF TABOR AND JACOBOVICI: THE NEW BOOK[1]

Here are the basic claims of James Tabor and Simcha Jacobovici: “Talpiyot Tomb B contained several ossuaries, or bone boxes, two of which were carved with an iconic image and a Greek inscription.  Taken together, the image and the inscription constitute the earliest archaeological evidence of faith in Jesus’ resurrection.”  They go on and state that these ossuaries “also provide the first evidence in Jerusalem of the people who would later be called ‘Christians.’  In fact, it is possible, maybe even likely, that whoever was buried in this tomb knew Jesus and heard him preach.” Continue reading

Brief Reflections of an Epigrapher on Talpiyot Tombs A and B

Professor Christopher A. Rollston, Emmanuel Christian Seminary

Much can, and no doubt will, be said about the proposal (and new volume) of Professor James Tabor and Filmmaker Simcha Jacobovici that Jesus of Nazareth was married to a woman of Magdala named Mary, that they had a son named “Judas” and that their tomb has been found in East Talpiyot (Jerusalem).  Of course, this all started several years ago with the same individuals proposing the same basic thing about a tomb dubbed “Talpiyot Tomb A.”  Recently, these same scholars investigated a tomb that they have dubbed “Talpiyot Tomb B,” and they believe that this new tomb demonstrates the veracity of their previous conclusions. Continue reading

NEA 73.1 available online via Atypon Link

Near Eastern Archaeology 73.1

ASOR is pleased to announce that NEA 73.1 (March 2010) has now been posted online at Atypon Link.

The issue contains a feature article by A. Burke and K. Lords as well as articles S. Savage, A. Al-Shorman, C. Luckey, and K. Rask.

You may access the table of contents here:

http://www.atypon-link.com/ASOR/toc/nea/73/1

As a reminder, the last 3+ years of ASOR journals are available to ASOR members on Atypon Link. For details, please see the following URL:

http://www.asor.org/updates/atypon-online.html

Secrets of The Bible’s Buried Secrets

Contributed by Tristan Barako, Ph.D., Senior Researcher, Providence Pictures

When The Bible’s Buried Secrets premiered on PBS this past November, it was NOVA’s most watched show in the past five years, attesting to the enduring interest that biblical archaeology holds for the general public. The two-hour special was produced by Providence Pictures, where I now work as senior researcher and writer. The president/producer/director of Providence Pictures, Gary Glassman, took the unusual step of hiring me—someone with absolutely no prior experience in film production—on the strength of my background in archaeology and biblical studies. He and NOVA wanted to make sure that the film was as accurate as possible. To that end we enlisted the support of more than 30 ASOR members, who generously gave of their knowledge and granted us complete film access to their excavations and artifacts. Through their participation and the collective effort of all our staff and crew, we’ve shown that a documentary about biblical archaeology can be both a popular and scholarly success.

To give the readers of this blog some sense of the filmmaking process, here are a few behind-the-scenes peeks of the challenges we faced while making The Bible’s Buried Secrets. Most of what follows relates to my uncredited cameo appearances. In the interest of full disclosure, it must be said that Michael Homan, the moderator of the ASOR blog, also appears in the film. It was originally a more substantial role—his big line went something like “Ron, you better come down here; we just found something that’s going to make your day!” —but that part of the scene, unfortunately, ended up on the cutting room floor.




A reenactment of the discovery of the Tel Zayit abecedary.

Idol smasher: The climax of the destruction of Hazor was a close-up, slow motion shot of a statue of a seated male being decapitated. We had originally planned to shoot this scene in Israel, so we had our Art Director there, Gal Oren, make three replicas of the statue, but we ran out of time so we had to do it in the U.S. instead. The location we ended up using was Gary’s garage in Providence, where we clamped the statue (made of plaster, not the original basalt) to a low table and positioned a Duraflame stick in front of the camera. Then we smoked up the garage and I put on a robe, dirtied up my arm and hand, and grabbed the mallet. I was a bit nervous because I wanted to make sure that the head came off cleanly, similar to how the original was found at Hazor. To stay in the frame I had to approach the statue at an odd angle, but this did not get in the way of a near perfect strike: the head flew off and crashed against the back wall. Good thing, because I shattered the next two replicas.




Smashing idols in Gary’s garage.

German scholar: This was my most challenging role given the amount of time on camera and the task at hand—channeling Julius Wellhausen. To prepare for it we bought a nineteenth-century German Bible and rented a three-piece suit from a costume company in California (surprisingly we couldn’t find anything on the east coast). I also let my beard grow out a little. Finally, I found a section in my Biblia Hebraica Stuttgartensia that contained clear J and E passages. Despite all these preparations we overlooked something, as pointed out to me by a friend who is a German historian: the wedding band was on my left hand, whereas Germans typically wear it on the right. There goes the Emmy for best research.




Playing Julius Wellhausen

Gila’s assistant: In this scene, a recreation of the discovery of the Tel Dan Stela, I played only a supporting role: the guy holding the stadia rod for Gila Cook who found this famous inscription in 1993. We followed her recollection of events throughout, which included loading her up like a pack mule, while I ambled off the tell empty-handed. I felt especially insensitive because she was battling laryngitis that day and we made her go up and down the hill with all that equipment a few times on multiple takes, but she was a real trooper and the scene turned out beautifully.




Loading up Gila

Dead Israelite: We used Nazareth Village for many recreations including the scene where one of the Jerusalem priests rescues scrolls from a building set aflame by the Babylonians. Again I donned a robe and got smudged up, but this time all I had to do was lay sprawled out in the background. I’m really not visible because of all the smoke. Our Director of Photography, Nick Gardner, inhaled so much of it that he woke up that night with a splitting headache.




Tristan as a dead Israelite

YHWH: In one of the many scribal scenes, we wanted an extreme close-up of someone writing the personal name of the Israelite god, YHWH. Most of our recreation actors were modern-day sopherim, whom we casted for their ability to write Torah scrolls. The problem was, though, they refused to write the divine name. I volunteered to do it, but I write left-handed and all our scribes were righties. So we pressed into service our thoroughly secular, dread-locked soundman, Amir Liani, who did a great job considering that it was his first time writing in paleo-Hebrew.




YWHW in Paleo-Hebrew

For more information about Providence Pictures and The Bible’s Buried Secrets, including additional behind-the-scenes features, visit:

www.providencepictures.com and www.pbs.org/wgbh/nova/bible.